It's a truth universally acknowledged... that Jane Austen knew her stuff. No question. If you doubt me, read these extracts from “The Wit and Wisdom of Jane Austen”. In letters to her niece Anna
Austen, written in 1814, she offers tips on the novelist’s art.
Listen to this advice
about writing what you know:
We think you had better not leave England. Let
the Portmans go to Ireland, but as you know nothing of the manners there, you
had better not go with them. You will be in danger of giving false
representations. Stick to Bath and the Foresters.
On practical plotting:
Your aunt C. does not like desultory novels,
and is rather fearful yours will be too much so, that there will be too
frequent a change from one set of people to another, and that circumstances will
be sometimes introduced of apparent consequence, which will lead to nothing. It
will not be so great an objection to me, if it does. I allow much more latitude
than she does – and think nature and spirit cover many sins of a wandering
story…
On the need for
consistency in characterisation:
I like your Susan very much indeed, she is a
sweet creature, her playfulness of fancy is very delightful. I like her as she
is now exceedingly, but I am not so well satisfied with her behaviour to George
R. At first she seemed all over attachment and feeling, and afterwards to have
none at all; she is so extremely composed at the Ball, and so well-satisfied
apparently with Mr Morgan. She seems to have changed her character.
On finding a situation
that works, and the right sort of character-chemistry:
You are now collecting your people
delightfully, getting them exactly into such a sport as is the delight of my
life; - 3 0r 4 families in a Country Village is the very thing to work on – and
I hope you will write a great deal more, and make full use of them whilst they
are so very favourably arranged. You are now coming to the heart and beauty of
your book…
Not much different to
the advice writers get two hundred years on. The more things change, the more
they stay the same.
Wendy
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