I am a avid reader of non-fiction history and it is usually while I’m reading
that some sentence or fact will make me sit up and say “What a great idea for a
story.” The idea for Mask of the Gladiator first came to me while I was reading a book on the lives of the
Roman emperors. Something about Caligula’s demise, the real PG version, not the
XXX version that has also survived the ages, caught my attention. The story
wouldn’t let go until I’d crafted it into a tale in which regular people get
caught up in the life and death events of their era with a great romance and
sex thrown in because hey, after all, this is Rome.
Having read many books on ancient
Rome, I knew a great deal about the era but needed more details on the nitty-gritty
of daily life under Caligula. Thankfully, researching ancient Rome was, in many
ways, easy. The Romans, thanks to the length of their empire, left a lot of
material, both written and physical about their lives, and these artifacts are
scattered everywhere from Britain to Germany. I remember during my first trip
to England marveling as I stood on a medieval wall looking down on the ruins of
a Roman amphitheatre. You don’t find that kind of history where I live in
California. Here, most people think Mid-Century Modern is an era of antiquity.
The wealth of information on the
ancient Romans made research both interesting and easier. Thanks to surviving
statues of Caligula, I was able to base my descriptions of the emperor on his
busts instead of having to extract details from ancient sources, most of which
were not flattering. For details on Caligula’s assassination, I turned to
Justinian and Suetonius. Their accounts, though not exactly first hand, are
well fleshed out, if not blatantly exaggerated in a few spots. I incorporated
details from their stories into my story while adding a few of my own in order
to better weave the main characters, Livia and Titus, into the historical
events. In regards to the daily life of the nobility, there were endless
resources available from the excavation at Pompeii to modern research books detailing
the archeological evidence.
While this wealth of historical
information is great, it can also be overwhelming and at times distracting.
Sometimes, especially if you’ve ever read any books in the History of Private Life series, more details exist than you
actually want to know about. It is a challenge deciding what to include or
leave out and how true to the time period to stay without forcing the readers
to keep Googling archaic terms. In the end, I think I struck a good balance
between fact and fiction and created a compelling story that is both true to
history and romance. I hope readers think so too.
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