Showing posts with label Writing Historical Romance. Show all posts
Showing posts with label Writing Historical Romance. Show all posts

Wednesday, November 02, 2011

A Bluffer's Guide to Gay Historicals

Top facts:

* Once non-existent, the genre stands proudly, and there are hundreds and hundreds of titles to choose from in every possible era from cavemen to WW2
* Covers. Getting better and better every year, we've gone from naked men in a frozen pond to covers with ships and everything!
* Writers of the genre here at Carina: 
ErastesJosh LanyonAleksandr VoinovFae SutherlandBonnie DeeAlex Beecroft, Charlie Cochrane (the latter two have books coming out in 2012)






In a nutshell

* There's still not enough of it, for a start. Yes, I'm never satisfied...
* Some Gay Historicals address the very real problems of being gay in a time when it wasn't just unacceptable, it was reviled and illegal. (Basically after Christianity kicked in) However, there were times when man on man love wasn't just acceptable, it was a normal part of everyday life. (The Greeks had a word for it.)
* Thankfully, due to pronouns there are few books with those classic romance titles such as "The Belgian Captain's Depraved Toyboy." (With thanks to the Random Romance Title Generator)

The Heroes


Not too different from the heroes in other historical romances. They are generally aristocratic (tall and handsome goes without saying - plus they are ALWAYS - always hung like horses, this is the law.)

So, create your character: Rich, check. Commanding, check. Handsome, check. Package of unusual size. Check and double check. OK, you can stop checking now.

The, er, OTHER Heroes

Now here you can play around a little. You can either make your other hero a match for your arrogant alpha in every sense of the word (and sit back and watch those sparks fly and those buttons go flying (gotta have flying buttons, more later) OR you can create a sensitive little soul. A downtrodden artist, perhaps, or an impoverished tutor. A kidnapped slave or an abused and rescued young man. As long as you get a vast gulf between your alpha and your omega, it doesn't really matter. Any excuse to make that boy cry his little heart out because the rough tough alpha doesn't know how to handle him. Or rather - he doesn't know how to handle his feelings - he knows how to handle him all right. (hur hur) The important thing is the desecration of innocence - but don't worry. No matter how nasty the alpha is, your sensitive soul will fall in love with him as he tops from the bottom.

The best bit about writing gay historicals
* Buttons
. Oh GOD the buttons. I've coined the term breeches ripper before, but for me waistcoat ripping is far more exciting. Also cravats. You can have a LOT of fun with cravats.
* UST. (No, no, not thereUnresolved SexualTension. Buckets and buckets of it. "I'm homosexual!++ Argh! God he's pretty. I wonder if he's homosexual too? How can I let him know? What if he's not? All right... so he is - he's sleeping with Lord [Whossit] - how can I get him?"A writer of gay historicals have immense fun torturing her characters - making every glance count, and when one's passing the port (to the left, of course) at dinner, fingertips are just bound to brush against each other.
It's much easier to get men together on a day-to-day basis. Whereas a hetero historical writer will have to write about dances, and chaperones and perhaps elopements men can simply hang out with each other, ride in each other's carriages (and no, that's not a euphemism!) without anyone fainting or ruining anyone's reputation. Of course it's pretty difficult to get them into sexual situation, but that's another post...

The best bit about reading gay historicals* Buttons! Ok, Is it just me and the buttons?
* Appreciating that the author knows exactly what the difference is between a sailor's whipping and a double fisherman but that you don't need to know anything as silly as long as the hero gets tied up.
* Sponge baths.
* The membrum virilus! Members, yards, rods, poles, perches, arbor vitae, gaying instrument. (yes, really.)

Top tip: beige...biscuit...blasé bleeding anachronisms

Check check check. You may think that it's all right to say your hero's breeches are beige but it wasn't so and any eagle eyed reader will Mock You. They will, however realise if you are trying and make a small slip-up, but they won't appreciate sloppy (or no) research, modern day speech patterns and contemporary men in fancy dress.

What not to say

* “Gad, that's an attractive ass!”

Over to you...

* What gay historicals would you like to see?
* What cliches are you sick of?
* What do you think of the covers these days?
* Anything else?

And if you are interested in finding out more: (and in a more sensible fashion)

Speak Its Name has The Definitive List of Gay Historical fiction.
The Macaronis: Fiction out of the Closet



Erastes is the penname of a female author who lives in Norfolk, UK with 3 demanding cats and a mad dog. Her new novella, "A Brush With darkness" a gay romance set in 19th century Florence is coming to Carina in March 2012. Check her website for her non-Carina titles www.erastes.com

Monday, July 25, 2011

Writing a Historical Romance -- The Process

Deciding to write a historical romance is not as easy as picking up a pen and pad or scooting your chair up to a computer.

Despite historical romances being dubbed, bodice rippers, a lot more goes into the writing than simply a lot of hot sex, and "Oh, my lord," and "Yes, my lady!"

Like any other fictional tale, a historical romance has to have a plot, a vibrant setting, larger than life characters with goals, motivations and conflicts. And on top of all that--you have to research your time period. A writer of historical fiction has to know their time period like they know the one they live in now--the setting, the clothing, the dialect, foods, mannerisms, etiquette, laws, ruling parties, transportation, phrases.

So if you've decided you want to write a historical romance, I suggest doing the following:

ONE: Pick a time period--and thoroughly research it. There are books you can purchase that will actually give you a good idea of what life was like in certain time periods. Beyond books there is the internet, reenactments you can go to, traveling to where you story takes place, talking to researchers and historians. Taking horseback riding, fencing, dancing lessons. Trying on historical clothing. Whatever it takes to get inside your period and your characters' heads to make the story more authentic.

For Regency, I like: What Jane Austen Knew and Charles Dickens Ate by Daniel Pool; Georgette Heyer's Regency World by Jennifer Kloeste.

For Elizabethan England: Elizabeth's London by Liza Picard.

For Medieval Times: Knight, by Christopher Gravett; Life in a Medieval Castle by Joseph and Frances Gies; Marriage and the Family in the Middle Ages, by Frances and Joesph Gies.

For all periods: Costume: 1066 to the Present by John Peacock.

I have TONS of other resources if you're looking for a certain time period, email me or leave a comment below.

TWO: Read fiction in that time period. The best way to learn about writing in a certain genre, is to READ in that genre. See how an author seamlessly weaves the history into the fictional prose. Also reading helps to widen our own vocabulary. 

THREE: Develop a plot -- what is your story? What is the purpose of your story? Why should the reader care? Come up with a good hook. If you're a plotter, this is where you loosely plot out the story. If you're a panster, this is where you loosely plot out the major points of the story--or at least where you hope to end up. Remember too, that in a romance, the focus of the story should be the relationship between the hero and heroine (or hero/hero, etc...). Show the progression of the romance so that it is believable to the reader. Make each scene meaningful, and in doing so, make sure that each scene moves the story along.

FOUR: Get to know your characters. You can't write a story--let alone the first paragraph of one, if you don't know your characters. How is the reader supposed to "get them", connect with them, empathise with them, if you don't? 

Great craft book resources I recommend:
  • On Writing, by Stephen King
  • On Writing Romance by Leigh Michaels
  • How to Write the Breakout Novel, by Donald Maass ----> I actually use his checklists at the back of each chapter for each book I write.
  • The Writer's Journey, by Christopher Vogler
  • Got High Concept? by Lori Wilde
  • Thesaurus/Dictionary -- these ARE your friends. Make sure you are not only using words correctly, but that you aren't using the SAME descriptive words OVER and OVER again. I like http://www.dictionary.com/ because it will also give you the etymology of a word so you know if it was used during your time period. http://www.thesaurus.com/ is also a keeper!
FIVE: Start writing. Don't forget to hook the reader in that very first sentence, that first page, that first chapter, and every page thereafter. Show don't Tell. Be active not passive.

SIX: Thought you were done? No... Just because you typed "The End" does not mean you are finished. Now you have to edit your story. I HIGHLY suggest having a critique partner or two or more take a look at your story. Having a fresh pair of eyes to catch mistakes you might not have seen is a plus. Also, they can give you feedback and insight on your scenes.

SEVEN: Once you are confident that the story is the best it can be, take the plunge and submit it!

Remember above all, writing a historical romance isn't throwing in a few historical phrases here and there, you actually need your story to be authentic from all angles. If we stripped the history out of your story, would there still be a story? The answer should be no--because the history is essentially one of the main characters.

Happy Writing!
Eliza

Eliza Knight is the multi-published author of sizzling historical romance and erotic romance. Most recently, she was featured in The Wall Street Journal as a self-styled expert on historical undergarments. Visit her at http://www.elizaknight.com/.

Coming 12/19/11 to Carina!  Lady Seductress's Ball (cover coming soon...)

Olivia has suffered a loveless marriage to an elderly invalid.  Never knowing pleasure, she wants to experience first hand the delights of lovemaking.  When a titillating invitation arrives to Lady Seductress’s Ball, the temptation is overwhelming.  Her thirst for pleasure could finally be quenched, and with a man she fiercely desires.
 
Tristan wants Olivia for his own, and has sworn off all others who clamber for a place in his bed.  After trying to seduce Olivia without success, he attempts one last amorous tryst—a night filled with passion, love and adventure, that will leave them both yearning for more.